I am a photographer. I carry a 35mm film camera around and record imagery that expresses the feelings I have about my life. The photographs are an attempt to bridge the gap between your life and mine. I see things that you might also see, I feel things that you might also feel.

I am often seeking comfort. If it is not present, I want to facilitate its creation. I try to surround myself with softness, and calming shifts in color and pattern.

To accomplish this, I . I look for objects and fabrics that will convey a sense of my strongest memories. In exhibitions, these items inhabit the same space as my photographs. They emulate the experience of home, complementing the images as your parents’ shag carpet complemented your great-grandfather’s portrait.

I am aware that the traditional domestic space has historically been a gendered one, maintained by women. As a woman struggling with the expectations of gender performance and age-related “female” achievements, it is clear to me that my desire to create a space of comfort for my viewer is informed by my struggle with achieving societal norms for my age and gender. There is a tension for me in that desire – to both push toward and pull away from the expectations of others. I want to explore that space.

Slightly separated from the domestic space are a series of my photographs. They observe the vulnerability of animals, children, and the life of small things. We are all vulnerable, some more than others at certain points, but we can connect in that knowledge. We have all been children, we have all struggled with identity, we have all watched ourselves and our families age.